© » KADIST
Mark Leckey
In Made In Heaven , we are face to face with a sculptural apparition, a divine visitation in the artist’s studio. It isn’t just any object, but an iconic sculpture of the end of the 20th century: Jeff Koons’ Bunny. One key question in this work is of course the construction of images, but there is also the question of sculpture, of the passage from two-dimensionality to three-dimensionality.
© » KADIST
Juan Capistran
The Breaks reflects Capistran’s interests in sampling and fusing different cultural, social, and historical sources. Growing up in an African-American community in Los Angeles, Capistran has long been influenced by hip-hop culture. The photographs in this print document him surreptitiously breakdancing on Carl Andre’s iconic lead floor piece after the guards at the Los Angeles County Museum of Art have left the gallery.
© » KADIST
Jonathan Monk
Drawing & Print (Drawing & Print)
Meeting #100 is one in a series of text works by Jonathan Monk. In this series, the artist attempts to organize meetings somewhere in the world. The audience is given the details of a meeting—the place, date and time—and nothing more.
© » KADIST
Jonathan Monk
Untitled (rolled up) , is an abstract portrait of Owen Monk, the artist’s father and features an aluminum ring of 56.6 cm in diameter measuring 1.77 cm in circumference, the size of his father. Jonathan Monk bridges a conceptual art and his family privacy, and ironically ensures that there is “no difference between Sol Lewitt and my mother, he does not know more than she do not know. ” What is the status of the O-backed chair rail to the white cube?
© » KADIST
Li Ran
In his video work Beyond Geography , Li dramatizes the role of the artist-as-imitator to the point of sheer parody. Dressed to toe in the costume of a typical Discovery Channel adventurer-explorer, the artist dashes suavely through the uncharted jungle habitat of a primitive tribe. Li modulates his own voice in laughably accurate mimicry of the dubbed Discovery Channel protagonist familiar to Chinese viewership, daringly gulping fresh water from a river, expertly admiring exotic vegetation, and whimpering in fear of the dark sounds of the night (screaming, even, as he trips on a human skull) in an full-scale exaggeration of a nature show personality.
© » KADIST
Li Ran
The four-channel video installation Same Old Crowd departs from the documentation of an unknown city and takes place in an ambiguous temporal and spatial frame. Twelve characters (amateur actors hired by the artist) appear in black-and-white in highly stylized surroundings wearing patterned cloths. The identities or time period of the characters, all deprived of languages, are impossible to determine.
© » KADIST
Alessandro Balteo Yazbeck
Part of a larger series of photographic works, Alessandro Balteo Yazbeck’s Corrupted file from page 14 (V1) from the series La Vega, Plan Caracas No. 1, 1974-1976 presents an interrupted image. The images capture scenes from an urban development, La Vega, built to modernize and connect favelas in Venezuela.
© » KADIST
Matt Lipps
Untitled (Women) (2011) presents a startlingly succinct history of violently romanticized femininity. Matt Lipps created this diptych by photographing a single arrangement of cutouts. As in his analogous portrait of men, the middle section appears twice, on either side of the split, signaling a stutter, a caesura, or a schizophrenic break.
© » KADIST
Araya Rasdjarmrearnsook
The Class (2005) by Araya Rasdjarmrearnsook challenges the viewer’s personal sense of morality and tolerance by depicting a classroom from hell. In the video, a woman, dressed in black with a white over shirt, stands in front of a long blackboard. The classroom’s rear walls and floor are covered in taut white fabric, given the room the sinister appearance of a sanitarium or a crime scene.
© » KADIST
Wong Hoy Cheong
Created for the tenth Lyon Bienniale, in Days of Our Lives: Playing for Dying Mother, Wong’s ongoing negotiation of postcolonial globalization takes aim at French society. Named after an American daytime soap opera that been running for over forty years, Days of Our Lives is a series of six photographs that explore contemporary Europeaness. Here, domestic, everyday scenes drawn from French paintings in the Museum of Fine Arts in Lyon——preparing food, relaxing, reading and playing music, giving charity to the poor, being evicted from home, or going off to War—are reenacted by Muslim Nigerians, Iranians, Turkish, and Buddhist Burmese minorities.
© » KADIST
Wong Hoy Cheong
Days of Our Lives: Reading is from a series of work was created for the 10th Biennale de Lyon by the artist. It marks a new dimension of his ongoing effort to negotiate with the postcolonial reality across the world, with a unique interventional strategy to deal with the French society. Named after a soap opera in U. S. which has been running practically everyday for over 40 years, Days Of Our Lives is a series of six photographs which explores this new Europeaness.
© » KADIST
Elisheva Biernoff
Drawing & Print (Drawing & Print)
Last Postcards is a series of three small double-sided paintings on plywood in which Biernoff imagines the last communications from explorers lost in the wilderness. Biernoff’s choice of Everett Ruess, Percy Fawcett, and the conceptual artist Bas Jan Ader is particularly telling. On one level, the Last Postcards analogize the nineteenth-century explorer with the contemporary artist who looks for purpose in their work.
© » KADIST
Ming Wong
Making Chinatown (2012) is a remake of Roman Polanski’s 1974 classic neo-noir film Chinatown . According to Wong, the latter is a “textbook” of Hollywood filmmaking . In Ming’s version, he plays all four main characters portrayed originally by Jack Nicholson, Faye Dunaway, John Huston, and Belinda Palmer, shooting against a backdrop of a film set reproduced as wallpaper in a gallery space.
© » KADIST
Yao Jui-Chung
Long Long Live (2013) takes the viewer to the setting of the Oasis Villa on Green Island, once a reform and re-education prison to house political prisoners during Taiwan’s martial law period. In black and white, Yao depicts the historical site as an eerie abandoned compound. Reflecting on the centenary of the HsinHai Revolution and the end of the Cold War, Yao questions the existence of an ever lasting dynasty or “transcendental Rules of History.” The soundtrack features a sole voice reverberating through loud speakers.
© » KADIST
Juan Capistran
White Minority , is typical of Capistran’s sampling of high art genres and living subcultures in which the artist subsumes an object’s high art pedigree within a vernacular art form. Here, Capistran humorously remixes the form and style of Frank Stella’s Black Paintings with California punk rock band Black Flag’s song title and logo (created by artist Raymond Pettibon). White Minority , then, appropriates, recontextualizes, and riffs on language and visual signs to unmoor notions of identity, power, and revolution.
© » KADIST
Juan Capistran
The 10 $1 bills that make up From a Whisper to a Scream (2012) read like instructions in origami. From left to right, each bill is progressively folded up, step by step, into the shape of a gun. Both a scream and a whisper are capable of conveying the same content, if at drastically different decibels, the artist proposes.
© » KADIST
Matt Lipps
In the series Horizons (2010), Lipps uses appropriation to riff on Modernism’s fascination with abstract form. For Untitled (Men) (2011), he snipped from magazines and textbooks pictures of handsome or famous men, from the ancient Greek to the modern. Arranged in a tableau, lit theatrically, and rephotographed, the two-dimensional figures have an embodied presence.
© » KADIST
Elisheva Biernoff
In her recent work, Biernoff is interested in investigating fictions and fantasies embedded in the remnants of consumer culture (for example magazines) or through ephemera such as postcards and old photographs. Although the imagery present in her work might seem nostalgic upon first encounter, Biernoff’s complex tableaux often reveal the artist’s skeptical look towards her subjects matters. They Were Here (2010), constitutes a clear example.
© » KADIST
Wong Hoy Cheong
Re: Looking marks a new phase in Wong’s work which connects his region’s history with other parts of the world. The video—located in an imagined contemporary Malaysian middle-class living room, a space of a fictive former imperial power—explores the precarious link between fact and fiction, fakery and authenticity by overlaying three believable, authoritative forms: a documentary, a website, and a realistic reconstruction of a contemporary home. It is rife with occidental colonial documents and exotic cultural artifacts—the trophy-evidence of Empire-making.
© » KADIST
Native Art Department International
The neon sign Walk the Walk (Sam Durant) overlays a Walk/Don’t Walk Sign crosswalk sign onto the text “You Are On Indian Land Show Some Respect.” The sign asks viewers to not walk on Indigenous lands without respecting it, and, switching between a walking person icon in white and a raised hand icon in red, redirects their actions. This work by Native Art Department International signals a reminder that we–the audience and institution–are located on and occupy traditional territories. The work appropriates and twists white artist Sam Durant’s You Are On Indian Land Show Some Respect (2008) in response to his work Scaffold (2012) installed in 2016-7 at the Walker Art Center in Minneapolis.
© » KADIST
Kota Ezawa
The Crime of Art is an animation by Kota Ezawa that appropriates scenes from various popular Hollywood films featuring the theft of artworks: a Monet painting in The Thomas Crown Affair (1999), a Rembrandt in Entrapment (1999), a Cellini in How to Steal a Million (1966), and an emerald encrusted dagger in Topkapi (1964). Ezawa uses his signature cartoon-like style to remix and reenact these crime scenes, leaving only the artworks as “real” objects (as they are depicted in the films), rather than illustrating them. Reversing fiction and reality in an unexpected way, this gesture invites the viewer to question the reliability of the visual footage.
© » KADIST
Jonas Staal
Jonas Staal’s installation is based on the thesis written by Fleur Agema and titled “Closed Architecture”. The paper, written by the second most important person of Geert Wilderds’ Freedom Party, concerns an ambitious model for a new prison that focuses on the reconditioning of prisoners by means of four phases. Staal’s work is developed through a book, a plan and a 3d virtual tour in the social imagery of a current minister of the State of the Netherlands.
![The art olympics, [Artoons, 2008–2022 series]](https://kadist.org/wp-content/uploads/2023/09/the-art-olympics.jpg)
© » KADIST
Pablo Helguera
Drawing & Print (Drawing & Print)
A sly sense of humor is key in Pablo Helguera’s long-running Artoons series, one that includes ~1500 drawings made over ten years. It’s no secret that the artworld tends to take itself too seriously, so it’s no surprise that Helguera’s project has developed a large following over the past decade—providing much needed comic relief.. Helguera grew up making and exchanging drawings like these with his father and brother, but never made drawing a part of his public practice until in 2008, when he began periodically posting what came to be known as ‘Artoons’ on Facebook. The series caricatures and lampoons agents and events in the artworld, combining just enough visual reference along with a caption.
© » KADIST
Annette Kelm
Drawing & Print (Drawing & Print)
Percent for Art is seemingly concerned with “art enrichment” by state or city arts agencies role in it, managing the artist rosters, maintaining public art collections, commissioning artworks, selecting installation sites, among other things for aesthetic and cultural enhancement in both public and private real estate developments. For some, it’s also an opportunity to have desperately needed revenue to counter the displacement of artists and preserve a city or state’s creative spirit. The work, with its serial repetition of percentage signs across six separate bright red panels, appears as splashy retail signage for no apparent sale.
© » KADIST
Lynn Hershman Leeson
Hershman Leeson’s documentary, Women Art Revolution (W. A. R.) draws from hundreds of hours of intimate interviews with her contemporaries—visionary artists, historians, curators and critics—who recount their fight to break down the barriers facing women both in the art world and society at large. The film features an original score by Carrie Brownstein, formerly of the band Sleater-Kinney.
© » KADIST
Yan Xing
The title of this series – Two videos, three photographs, several related masterpieces and American art – is paradoxical, suggesting the work is conceived in relation to its medium and a situation in art history and the region of the world in which it was made. Paradoxical but in the end, often true of the way in which art history is written. The presence of black men and the term “American Art” brings us back to Robert Mapplethorpe’s Black Book .
![New Advanced Art Degrees, [Artoons, 2008–2022 series]](https://kadist.org/wp-content/uploads/2023/09/new-advanced-art-degrees.jpg)
© » KADIST
Pablo Helguera
Drawing & Print (Drawing & Print)
A sly sense of humor is key in Pablo Helguera’s long-running Artoons series, one that includes ~1500 drawings made over ten years. It’s no secret that the artworld tends to take itself too seriously, so it’s no surprise that Helguera’s project has developed a large following over the past decade—providing much needed comic relief.. Helguera grew up making and exchanging drawings like these with his father and brother, but never made drawing a part of his public practice until in 2008, when he began periodically posting what came to be known as ‘Artoons’ on Facebook. The series caricatures and lampoons agents and events in the artworld, combining just enough visual reference along with a caption.
Jonathan Monk
- location: Berlin, Germany
- year born: 1969
- gender: male
- nationality: British
- home town: Leicester, United Kingdom
Wong Hoy Cheong
- location: Kuala Lumpur, Malaysia
- year born: 1960
- gender: male
- nationality: Malaysian
- home town: George Town, Malaysia
Juan Capistran
- location: Los Angeles, California
- gender: male
- nationality: Mexican American
- home town: Guadalajara, Mexico
Matt Lipps
- location: San Francisco, California
- year born: 1975
- gender: male
- nationality: American
- home town: San Francisco, California
Pablo Helguera
In addition to a long and diverse career as an artist, performer and writer of over a dozen books, Pablo Helguera has worked in the education departments of key institutions such as the Guggenheim Museum (1998-2005) and MoMA (2007-2020)...
Li Ran
- location: Beijing, China
- year born: 1986
- gender: male
- nationality: Chinese
- home town: Hubei Province, China
Mark Leckey
- year born: 1964
- gender: male
- nationality: British
- home town: Birkenhead, United Kingdom
Native Art Department International
Native Art Department International is a collaborative project created in 2016 and administered by Maria Hupfield and Jason Lujan...
Araya Rasdjarmrearnsook
- location: Chiang Mai, Thailand
- year born: 1957
- gender: female
- nationality: Thai
- home town: Trad, Thailand
Ming Wong
- location: Berlin, Germany
- year born: 1971
- gender: male
- nationality: Singaporean
- home town: Singapore
Kota Ezawa
- location: San Francisco, California
- year born: 1969
- gender: male
- nationality: German
- home town: Cologne, Germany
Jonas Staal
Jonas Staal ‘s work includes interventions in public spaces, exhibitions, lectures and publications...
Lynn Hershman Leeson
- location: San Francisco, California
- year born: 1941
- gender: female
- nationality: American
- home town: Cleveland, Ohio
Annette Kelm
- location: Stuttgart, Deutschland
- year born: 1975
- gender: female
- nationality: German
Yan Xing
- location: Beijing, China
- year born: 1986
- gender: male
- nationality: Chinese
- home town: Chongqing, China
Yao Jui-Chung
- year born: 1969
- gender: male
- nationality: Taiwanese
- home town: Taipei, Taiwan
Alessandro Balteo Yazbeck
- location: Berlin, Germany
- year born: 1972
- gender: male
- nationality: Venezuelan
- home town: Caracas, Venezuela
© » EYE OF PHOTOGRAPHY
this quarter (04/04/2024)
© 2023 All rights reserved - The Eye of Photography Art Paris 2023 Champ-de-Mars © Marc Domage Art Paris 2023 - Almine Rech Art Paris 2023 - Galerie Dina Vierny Art Paris 2023 - Galerie Zlotowksi Art Paris 2023 - Vue École militaire 1 The 26th edition of Art Paris 2024 will be held from April 4 to 7 at the Grand Palais Éphémère...
© » ART & OBJECT
about 3 months ago (02/12/2024)
The Art of Snow and Ice: Depictions Throughout Art History | Art & Object Skip to main content Subscribe to our free e-letter! Webform Your Email Address Role Art Collector/Enthusiast Artist Art World Professional Academic Country USA Afghanistan Albania Algeria American Samoa Andorra Angola Anguilla Antarctica Antigua & Barbuda Argentina Armenia Aruba Ascension Island Australia Austria Azerbaijan Bahamas Bahrain Bangladesh Barbados Belarus Belgium Belize Benin Bermuda Bhutan Bolivia Bosnia & Herzegovina Botswana Bouvet Island Brazil British Indian Ocean Territory British Virgin Islands Brunei Bulgaria Burkina Faso Burundi Cambodia Cameroon Canada Canary Islands Cape Verde Caribbean Netherlands Cayman Islands Central African Republic Ceuta & Melilla Chad Chile China Christmas Island Clipperton Island Cocos (Keeling) Islands Colombia Comoros Congo - Brazzaville Congo - Kinshasa Cook Islands Costa Rica Croatia Cuba Curaçao Cyprus Czechia Côte d’Ivoire Denmark Diego Garcia Djibouti Dominica Dominican Republic Ecuador Egypt El Salvador Equatorial Guinea Eritrea Estonia Eswatini Ethiopia Falkland Islands Faroe Islands Fiji Finland France French Guiana French Polynesia French Southern Territories Gabon Gambia Georgia Germany Ghana Gibraltar Greece Greenland Grenada Guadeloupe Guam Guatemala Guernsey Guinea Guinea-Bissau Guyana Haiti Heard & McDonald Islands Honduras Hong Kong SAR China Hungary Iceland India Indonesia Iran Iraq Ireland Isle of Man Israel Italy Jamaica Japan Jersey Jordan Kazakhstan Kenya Kiribati Kosovo Kuwait Kyrgyzstan Laos Latvia Lebanon Lesotho Liberia Libya Liechtenstein Lithuania Luxembourg Macao SAR China Madagascar Malawi Malaysia Maldives Mali Malta Marshall Islands Martinique Mauritania Mauritius Mayotte Mexico Micronesia Moldova Monaco Mongolia Montenegro Montserrat Morocco Mozambique Myanmar (Burma) Namibia Nauru Nepal Netherlands Netherlands Antilles New Caledonia New Zealand Nicaragua Niger Nigeria Niue Norfolk Island Northern Mariana Islands North Korea North Macedonia Norway Oman Outlying Oceania Pakistan Palau Palestinian Territories Panama Papua New Guinea Paraguay Peru Philippines Pitcairn Islands Poland Portugal Puerto Rico Qatar Romania Russia Rwanda Réunion Samoa San Marino Saudi Arabia Senegal Serbia Seychelles Sierra Leone Singapore Sint Maarten Slovakia Slovenia Solomon Islands Somalia South Africa South Georgia & South Sandwich Islands South Korea South Sudan Spain Sri Lanka St...
© » AESTHETICA
about 3 months ago (02/12/2024)
Aesthetica Magazine - Curator Interview: Redefining Landscape Art Curator Interview: Redefining Landscape Art “Green spaces and nature are where I find solace and comfort...
© » ART & OBJECT
about 3 months ago (02/12/2024)
Art Patrons Revealed in Unsealed Jeffrey Epstein Documents | Art & Object Skip to main content Subscribe to our free e-letter! Webform Your Email Address Role Art Collector/Enthusiast Artist Art World Professional Academic Country USA Afghanistan Albania Algeria American Samoa Andorra Angola Anguilla Antarctica Antigua & Barbuda Argentina Armenia Aruba Ascension Island Australia Austria Azerbaijan Bahamas Bahrain Bangladesh Barbados Belarus Belgium Belize Benin Bermuda Bhutan Bolivia Bosnia & Herzegovina Botswana Bouvet Island Brazil British Indian Ocean Territory British Virgin Islands Brunei Bulgaria Burkina Faso Burundi Cambodia Cameroon Canada Canary Islands Cape Verde Caribbean Netherlands Cayman Islands Central African Republic Ceuta & Melilla Chad Chile China Christmas Island Clipperton Island Cocos (Keeling) Islands Colombia Comoros Congo - Brazzaville Congo - Kinshasa Cook Islands Costa Rica Croatia Cuba Curaçao Cyprus Czechia Côte d’Ivoire Denmark Diego Garcia Djibouti Dominica Dominican Republic Ecuador Egypt El Salvador Equatorial Guinea Eritrea Estonia Eswatini Ethiopia Falkland Islands Faroe Islands Fiji Finland France French Guiana French Polynesia French Southern Territories Gabon Gambia Georgia Germany Ghana Gibraltar Greece Greenland Grenada Guadeloupe Guam Guatemala Guernsey Guinea Guinea-Bissau Guyana Haiti Heard & McDonald Islands Honduras Hong Kong SAR China Hungary Iceland India Indonesia Iran Iraq Ireland Isle of Man Israel Italy Jamaica Japan Jersey Jordan Kazakhstan Kenya Kiribati Kosovo Kuwait Kyrgyzstan Laos Latvia Lebanon Lesotho Liberia Libya Liechtenstein Lithuania Luxembourg Macao SAR China Madagascar Malawi Malaysia Maldives Mali Malta Marshall Islands Martinique Mauritania Mauritius Mayotte Mexico Micronesia Moldova Monaco Mongolia Montenegro Montserrat Morocco Mozambique Myanmar (Burma) Namibia Nauru Nepal Netherlands Netherlands Antilles New Caledonia New Zealand Nicaragua Niger Nigeria Niue Norfolk Island Northern Mariana Islands North Korea North Macedonia Norway Oman Outlying Oceania Pakistan Palau Palestinian Territories Panama Papua New Guinea Paraguay Peru Philippines Pitcairn Islands Poland Portugal Puerto Rico Qatar Romania Russia Rwanda Réunion Samoa San Marino Saudi Arabia Senegal Serbia Seychelles Sierra Leone Singapore Sint Maarten Slovakia Slovenia Solomon Islands Somalia South Africa South Georgia & South Sandwich Islands South Korea South Sudan Spain Sri Lanka St...
© » HYPERALLERGIC
about 3 months ago (02/11/2024)
The Importance of Art in a “Good Death” Skip to content Denise Silva-Dennis (Shinnecock), “Sugar Loaf” (2022), acrylic on canvas (image courtesy the artist) Everyone deserves a good death...
© » OBSERVER
about 3 months ago (02/05/2024)
The Best Art Galleries in Engadin Valley, Switzerland | Observer In the southeastern part of Switzerland in the Swiss canton of Graubünden lies the Engadin Valley...
© » FAD MAGAZINE
about 3 months ago (02/02/2024)
13 artists at Art Rotterdam Skip to content By Paul Carey-Kent • 2 February 2024 Share — This year marks the 25 th anniversary of Art Rotterdam (1-4 Feb), and the last before it moves from the iconic Van Nellefabriek ex-factory, an architectural classic, to a bigger and more central site...
© » TRIBLIVE
about 4 months ago (01/04/2024)
Penn Hills artist takes top visual art spot in 'Envisioning a Just Pittsburgh' art contest | TribLIVE.com Art & Museums Penn Hills artist takes top visual art spot in 'Envisioning a Just Pittsburgh' art contest Patrick Varine Thursday, Jan...
© » HYPERALLERGIC
about 4 months ago (12/18/2023)
Join Purchase College’s Creative Hub for Graduate Studies in Art Skip to content Richard & Dolly Maass Gallery installation: Lane Sell, “Navelstring” (2023), silkscreen, painting, cyanotype, and assemblage The MFA in Visual Arts at Purchase College, State of New York (SUNY), is a small, selective interdisciplinary program that fosters the artistic, intellectual, and professional growth of students through independent studio work and rigorous academic studies...
© » ARTSY
about 5 months ago (12/14/2023)
The Year in Art 2023 | Artsy Skip to Main Content Artsy Editorial The Year in Art 2023 The Most Expensive Artworks Sold at Auction The 10 Most Expensive Works Sold at Auction in 2023 Some of the biggest sales at auction in 2023 included works by Pablo Picasso, Gustav Klimt, and Claude Monet...
© » ARTSY
about 5 months ago (12/12/2023)
The Art Market Recap 2023 | Artsy Skip to Main Content Art Market The Art Market Recap 2023 Arun Kakar Dec 12, 2023 11:01PM For those who keep a close eye on the art market, 2023 has been characterized by one word: correction...
© » ROYAL ACADEMY
about 5 months ago (12/12/2023)
A History of Performance Art | Blog | Royal Academy of Arts Pussy Riot’s protest performance Illustration by Lucinda Rogers A History of Performance Art Read more Become a Friend A History of Performance Art By Kelly Grovier Published 16 October 2023 With Marina Abramović taking over the Main Galleries at the RA, we look at some other artists who have shaped the history of performance art...
© » THEARTNEWSPER
about 5 months ago (12/09/2023)
Political art stays peripheral at Art Basel in Miami Beach Art market Museums & heritage Exhibitions Books Podcasts Columns Technology Adventures with Van Gogh Search Search Art Basel in Miami Beach 2023 news Political art stays peripheral at Art Basel in Miami Beach Fair’s stands largely remain neutral despite multiple hot-topic issues in the world today Gareth Harris and Tim Schneider 9 December 2023 Share Julie Buffalohead’s Our Bodies Our Choice , in the Meridians section, references wide-ranging injustices against Native Americans Photo: Liliana Mora Should art engage with politics or offer an escape from politics? This is the question dealers, artists and collectors have tended to face in the run-up to Art Basel in Miami Beach from its very first outing...
© » AESTHETICA
about 5 months ago (12/09/2023)
Aesthetica Magazine - Aesthetica Art Prize: Picturing the Landscape Aesthetica Art Prize: Picturing the Landscape Humans have been inspired by nature for millenia...
© » HYPERALLERGIC
about 5 months ago (12/08/2023)
University of Florida Offers a Funded MFA in Studio Art Skip to content Natalie Novak, “Levitate (ʇɐolɟ ǝǝɹɟ)” (2023), synthetic nylon tulle, fluid acrylics, gloss medium, thread, air, inflatable blowers; potions made from expired makeup pigments, lotions, shampoos, hair gel, bath bombs, vaseline, nail polish, baby oil, wax, imitation pearls, iridescent beads (photo courtesy the artist) The University of Florida (UF) offers a three-year, full-tuition, stipend-funded MFA degree ...
© » HYPERALLERGIC
about 5 months ago (12/06/2023)
In Ron DeSantis’s Florida, What Can an Art Fair Mean? Skip to content Art Basel Miami Beach 2023 (photo Valentina Di Liscia/ Hyperallergic ) MIAMI — The tents have emerged and there is a stressful excitement in the air as Art Basel descends on Miami Beach for its 21st edition...
© » STEVE LAMBERT
about 5 months ago (12/01/2023)
The Powers of Art - Steve Lambert The Powers of Art - Steve Lambert Steve Lambert wrote a book!!! Art Works News Writing About Steve Contact Resume Now Newsletter Book Creative Commons BY-NC-SA December 2023 Work Center for Artistic Activism , Prints , risograph For the last several years I have made end of year Thank You prints for donors to the Center for Artistic Activism ...
© » TRIBLIVE
about 5 months ago (11/19/2023)
Behind the art: Gavels mix with grandeur in Westmoreland courtroom | TribLIVE.com Art & Museums Behind the art: Gavels mix with grandeur in Westmoreland courtroom Renatta Signorini Sunday, Nov...
© » ART AND CAKE
about 6 months ago (10/30/2023)
Art of the Joshua Tree – Art and Cake October 30, 2023 October 30, 2023 Author Art of the Joshua Tree Sossi Madzounian Deserts Ikebana , Photography Charity: Center for Biological Diversity Karin Lindeberg Frida, I see you under the shady tree , 35mm Photography 8×10 inches Charity: Center for Biological Diversity Chloe Allred, Dreaming in Cerulean and Quinacridone , Oil Paint on Canvas...
© » LENS CULTURE
about 8 months ago (08/23/2023)
Why I Make Art - Photographs by Mari Katayama | Essay by Marigold Warner | LensCulture Feature Why I Make Art Mari Katayama reflects on the roots of her intricately staged self-portraits, in which she uses her own body—often surrounded by objects and environments she has created herself—as a lens through which to reflect society...
© » LARRY'S LIST
about 19 months ago (10/05/2022)
New study, released today, covers 40-year history of the country's market and reveals many private art museums run at a loss...
© » LARRY'S LIST
about 19 months ago (10/05/2022)
Fair director Lorenzo Rudolf says the "given circumstances" leave no other choice...
© » ARTS EQUATOR
about 20 months ago (09/08/2022)
Art in Exile: Burmese Artists in Thailand | ArtsEquator Skip to content Burmese artists make art in exile in Thailand, finding refuge and showcasing cross-border solidarity for artistic freedom...
© » ARTS EQUATOR
about 31 months ago (10/21/2021)
So You Wanna Be An Independent Art Curator in Singapore? | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia ArtsEquator Viewpoints October 21, 2021 By Syed Muhammad Hafiz (1,000 words, 3-minute read) For the uninitiated, art curators are a mysterious bunch...
© » ARTNOME
about 46 months ago (07/12/2020)
The Game of Life - Emergence in Generative Art — Artnome Menu Blog Exploring art through data using the Artnome database...
© » HIGH FRUCTOSE
about 52 months ago (01/08/2020)
Gary Stranger is known for typographic art that, in a manner that shocks many, is executed free-hand...
© » ACAW
about 55 months ago (10/25/2019)
- Asia Contemporary Art Week Asia Contemporary Art Week ABOUT Consortium Partners PRESENTED ARTISTS FIELD MEETING ABOUT FIELD MEETING TAKE 6: THINKING COLLECTIONS (2018) TAKE 5: THINKING PROJECTS (2017) TAKE 4: THINKING PRACTICE (2016) TAKE 3: THINKING PERFORMANCE (2015) TAKE 2: AN AFTERTHOUGHT (2015) TAKE 1: CRITICAL OF THE FUTURE (2014) FIELD REVIEW ABOUT FIELD REVIEW ISSUE 1: SOUTH ASIA ISSUE 2: MIDDLE EAST PAST EDITIONS ACAW 2002 – 2018 PRESENTED ARTISTS PRESS PRESS RELEASES PRESS COVERAGE Announcements Posted on Friday, October 25, 2019 · Leave a Comment ASIA CONTEMPORARY ART WEEK (ACAW) is taking a programmatic sabbatical in 2019 to plan our programs for 2020 and beyond...
© » THE RE:ART
about 86 months ago (04/08/2017)
Installation art by Şakir Gökçebağ - The re:art Installation art by Şakir Gökçebağ The art of Şakir Gökçebağ plays with one’s perception of normality and challenges any prior convention or knowledge of how things were designed to function and how they exist in the order and logic of the everyday man-made world...
-
2000-2009
Juan Capistran
2002The Breaks reflects Capistran’s interests in sampling and fusing different cultural, social, and historical sources...
Jonathan Monk
2003Untitled (rolled up) , is an abstract portrait of Owen Monk, the artist’s father and features an aluminum ring of 56.6 cm in diameter measuring 1.77 cm in circumference, the size of his father...
Mark Leckey
2004In Made In Heaven , we are face to face with a sculptural apparition, a divine visitation in the artist’s studio...
Wong Hoy Cheong
2004Re: Looking marks a new phase in Wong’s work which connects his region’s history with other parts of the world...
Araya Rasdjarmrearnsook
2005The Class (2005) by Araya Rasdjarmrearnsook challenges the viewer’s personal sense of morality and tolerance by depicting a classroom from hell...
Juan Capistran
2005White Minority , is typical of Capistran’s sampling of high art genres and living subcultures in which the artist subsumes an object’s high art pedigree within a vernacular art form...
Alessandro Balteo Yazbeck
2008Part of a larger series of photographic works, Alessandro Balteo Yazbeck’s Corrupted file from page 14 (V1) from the series La Vega, Plan Caracas No...
Jonas Staal
2008Jonas Staal’s installation is based on the thesis written by Fleur Agema and titled “Closed Architecture”...
Wong Hoy Cheong
2009Created for the tenth Lyon Bienniale, in Days of Our Lives: Playing for Dying Mother, Wong’s ongoing negotiation of postcolonial globalization takes aim at French society...
Wong Hoy Cheong
2009Days of Our Lives: Reading is from a series of work was created for the 10th Biennale de Lyon by the artist...
Elisheva Biernoff
Drawing & Print
2009(Drawing & Print) Last Postcards is a series of three small double-sided paintings on plywood in which Biernoff imagines the last communications from explorers lost in the wilderness...
Elisheva Biernoff
2009In her recent work, Biernoff is interested in investigating fictions and fantasies embedded in the remnants of consumer culture (for example magazines) or through ephemera such as postcards and old photographs...
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2010-2019
Matt Lipps
2011Untitled (Women) (2011) presents a startlingly succinct history of violently romanticized femininity...
Matt Lipps
2011In the series Horizons (2010), Lipps uses appropriation to riff on Modernism’s fascination with abstract form...
Juan Capistran
2012The 10 $1 bills that make up From a Whisper to a Scream (2012) read like instructions in origami...
Yao Jui-Chung
2013Long Long Live (2013) takes the viewer to the setting of the Oasis Villa on Green Island, once a reform and re-education prison to house political prisoners during Taiwan’s martial law period...
Annette Kelm
Drawing & Print
2013(Drawing & Print) Percent for Art is seemingly concerned with “art enrichment” by state or city arts agencies role in it, managing the artist rosters, maintaining public art collections, commissioning artworks, selecting installation sites, among other things for aesthetic and cultural enhancement in both public and private real estate developments...
Pablo Helguera
Drawing & Print
2015(Drawing & Print) A sly sense of humor is key in Pablo Helguera’s long-running Artoons series, one that includes ~1500 drawings made over ten years...
Kota Ezawa
2017The Crime of Art is an animation by Kota Ezawa that appropriates scenes from various popular Hollywood films featuring the theft of artworks: a Monet painting in The Thomas Crown Affair (1999), a Rembrandt in Entrapment (1999), a Cellini in How to Steal a Million (1966), and an emerald encrusted dagger in Topkapi (1964)...
Native Art Department International
2018The neon sign Walk the Walk (Sam Durant) overlays a Walk/Don’t Walk Sign crosswalk sign onto the text “You Are On Indian Land Show Some Respect.” The sign asks viewers to not walk on Indigenous lands without respecting it, and, switching between a walking person icon in white and a raised hand icon in red, redirects their actions...